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These themes formed the substance of all his later volumes and found their fullest expression in the novels (which he described as “psychological thrillers”), in his Arthurian poems, and in many books of literary and theological exegesis. More and more in his writings he devoted himself to the propagation and elaboration of two main doctrines – romantic love, and the co-inherence of all human creatures.

Williams was an unswerving and devoted member of the Church of England, with a refreshing tolerance of the scepticism of others, and a firm belief in the necessity of a “doubting Thomas” in any apostolic body. Among his biographical works the most notable are Bacon (1933), James I (1934), Rochester (1935) and Queen Elizabeth (1936) and among his novels War in Heaven (1930), The Place of the Lion (1931), Many Dimensions (1931), Descent into Hell (1937) and All Hallows’ Eve (1945). It is safe to say that the fullest expression of his mature views is to be found in criticism in The English Poetic Mind (1932), Reason and Beauty in the Poetic Mind (1933), and The Figure of Beatrice (1943): in poetry and drama in Taliessin through Logres (1938), The Region of the Summer Stars (1944) and Thomas Cranmer of Canterbury (the Canterbury Festival play for 1936): and in theology in He Came Down from Heaven (1938) and The Descent of the Dove (1939). Tolkien.ĭuring his lifetime he wrote 30 volumes of poetry, plays, literary criticism, fiction, biographies, reviews and theological arguments.

He was also an active member of the Inklings, an informal literary society formed by C.

Charles Walter Stansby Williams (September 20, 1886-May 15, 1945) was an English writer, lecturer and literary advisor at the Oxford University Press.
